The work Treibgut (Driftwood) asks whether photographic images preserve my memories or rather overwrite them: Do I remember the moment itself, or do I only remember the photograph? Memory and photographic trace merge and open a space for personal connection.
As the thermal paper visibly ages and gradually gives up its image information, the photograph itself becomes perceptible as a fragile, temporary carrier. Motifs dissolve, much like memories. They lose clarity and remain as vague textures. The image remains, not as reliable evidence, but as something fragile that may also slip into unreadability.
